Eternity Modern

Mies BRNO Chair



Fabric-Dark Grey
Fabric-Dark Grey $545.00
Fabric-Light Grey
Fabric-Light Grey $545.00
Fabric-Blue Grey
Fabric-Blue Grey $545.00
Fabric-Red $545.00
Fabric-Light Bule
Fabric-Light Bule $545.00
Fabric-Yellow $545.00
Fabric-Dark Green
Fabric-Dark Green $545.00
Fabric-Burnt Orange
Fabric-Burnt Orange $545.00

Top Grain

Top Grain-Pure White
Top Grain-Pure White $575.00
Top Grain-Cream
Top Grain-Cream $575.00
Top Grain-Classic Black
Top Grain-Classic Black $575.00
Top Grain-Cigar Brown
Top Grain-Cigar Brown $575.00


Aniline-Classic Black
Aniline-Classic Black $625.00
Aniline-Pure White
Aniline-Pure White $625.00
Aniline-Cream $625.00
Aniline-Cigar Brown
Aniline-Cigar Brown $625.00

Your Satifaction Matter To Us

All of our Mies BRNO Chair are manufactured with our 13 years of experience to ensure our quality and your peace of mind.

Mies BRNO Chair

The Mies van der Rohe designed BRNO Dining Chair or simply Mies Dining Chair was designed in 1930. The BRNO Dining Chair features an ingenious and sleek single piece cantilvered design, a perfect blend of art and function. The BRNO Dining Chair is very popular as a dining chair, boardroom chair, client chair or waiting room chair.

  • Height: 32″ x Width: 23″ x Depth: 22.5″
  • Fully upholstered in genuine top-grain leather
  • Includes floor protectors
  • Also available on a custom-order basis without leather armrests
* All measurements are approximations.

Ludwig Mies van der Rohe (born Maria Ludwig Michael Mies; March 27, 1886 – August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname. Along with Le Corbusier and Frank Lloyd Wright, he is widely regarded as one of the pioneering masters of modern architecture.

Mies, like many of his post-World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings “skin and bones” architecture. He sought a rational approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. He is often associated with his quotation of the aphorisms, “less is more” and “God is in the details”.