Eternity Modern

Le Corbusier LC4 Lounge Chair


Top Grain

Top Grain-Pure White
Top Grain-Pure White $795.00
Top Grain-Cream
Top Grain-Cream $795.00
Top Grain-Classic Black
Top Grain-Classic Black $795.00
Top Grain-Cigar Brown
Top Grain-Cigar Brown $795.00


Aniline-Classic Black
Aniline-Classic Black $995.00
Aniline-Pure White
Aniline-Pure White $995.00
Aniline-Cream $995.00
Aniline-Cigar Brown
Aniline-Cigar Brown $995.00


Cowhide-Black White
Cowhide-Black White $1,495.00
Cowhide-Brown White
Cowhide-Brown White $1,495.00

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All of our Le Corbusier LC4 Lounge Chair are manufactured with our 13 years of experience to ensure our quality and your peace of mind.

Le Corbusier LC4 Lounge Chair

The LC4 Chaise Lounge is another iconic design from the popular Le Corbusier collection. Its ergonomic design mirrors the body’s natural curves, and can be adjusted from a near-upright position to a full reclining position. The LC4 Chaise Lounge was originally designed in 1928 and is now part of the permanent collection at the Museum of Modern Art (MOMA). It’s as much a work of art as it is a piece of furniture. The seat cushion and headrest are upholstered in premium leather.

  • Length: 62″ x Width: 22″ x Height: 30″
  • Chromed tubular steel frame
  • Black lacquered steel base polyurethane foam pad and headrest
* All measurements are approximations.

He was born as Charles-Édouard Jeanneret-Gris (1887-1914) in La Chaux-de-Fonds, a small city in Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France.

Le Corbusier began experimenting with furniture design in 1928 after inviting the architect, Charlotte Perriand, to join his studio. His cousin, Pierre Jeanneret, also collaborated on many of the designs. Before the arrival of Perriand, Le Corbusier relied on ready-made furniture to furnish his projects, such as the simple pieces manufactured by Thonet, the company that manufactured his designs in the 1930s.

In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L’Art Décoratif d’aujourd’hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as: “Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant. A good servant is discreet and self-effacing in order to leave his master free. Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion, and harmony”.

The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier’s 1929 Salon d’Automne installation, ‘Equipment for the Home’.