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Eternity Modern


Borge Mogensen Sofa

Material

Fabric

Fabric-Wheat
Fabric-Wheat $1,595.00
Fabric-Charcoal Grey
Fabric-Charcoal Grey $1,595.00
Fabric-Green
Fabric-Green $1,595.00
Fabric-Sky blue
Fabric-Sky blue $1,595.00
Fabric-Red
Fabric-Red $1,595.00
Fabric-Purple
Fabric-Purple $1,595.00
Fabric-Grey
Fabric-Grey $1,595.00
Fabric-Orange
Fabric-Orange $1,595.00

Top Grain

Top Grain-Black
Top Grain-Black $2,395.00
Top Grain-White
Top Grain-White $2,395.00
Top Grain-Sand
Top Grain-Sand $2,395.00
Top Grain-Dark Brown
Top Grain-Dark Brown $2,395.00

Aniline

Aniline-Black
Aniline-Black $2,555.00
Aniline-White
Aniline-White $2,555.00
Aniline-Camel
Aniline-Camel $2,555.00
Aniline-Dark Brown
Aniline-Dark Brown $2,555.00

Vintage

Vintage-Brown
Vintage-Brown $2,955.00
To ensure that your furniture is made to the highest quality standards, every piece is custom made. Hence, our lead time is typically 6-8 weeks.
Eternitymorden

Made identical to the original

All of our Borge Mogensen Sofa are manufactured with our 13 years of experience to ensure our quality and your peace of mind.

Borge Mogensen Sofa

This sofa was designed in 1962 by Borge Mogensen for use in his home in Gentofte. The Borge Mogensen Sofa is very minimal, and the simplicity and classic style have made this line one of Mogensen’s most popular designs. It is upholstered in premium leather and includes down and foam filled seat and back cushions, providing comfortable and spacious seating. It’s also commonly referred to as the Borge Mogensen 2212 Sofa.

Dimension:
  • Height: 30″ x Depth: 32″ x Width: 87″
  • Fully upholstered in premium leather
  • Medium – density foam filled seat and back cushions
Borge-Mogensen-Sofa
* All measurements are approximations.

Børge Mogensen was born in Aalborg, Denmark. He started as a cabinetmaker in 1934, and studied furniture design at the Danish School of Arts and Crafts in Copenhagen from 1936–38. From 1938-43 he worked at various design studios in Copenhagen, including with Kaare Klint. In 1959 he left FDB’s furniture design studio to found his own design studio. His work has been featured in one-man exhibitions in Zurich, London, New York, Stockholm, Paris and Copenhagen. His furniture, strongly representative of his training as a traditional craftsman, was greatly appreciated by a public who had not yet become interested in modernism and the changes its influence had created on furniture and the decorative arts. He designed a sofa in 1945 with leather ties which allowed the sides to be dropped down. A 1949 chair, claimed by critics to be “a model for future chairs,” used a curved, slightly sloping backrest, cut out along the spine in an organic dewdrop shape. He designed a set of simple, sturdy and modest furniture for a seaside cottage in 1959, a very traditional oak table and chair set in 1960 and a set in pine to furnish a “husband’s study” in 1962.